Archive for June 1st, 2009
From JancisRobinson.com: Landmark Australia - Day 1
Landmark Tutorial participant Julia Harding writes on JancisRobinson.com about Day 1 of the Landmark Tutorials
Arrived in Adelaide yesterday at 06.40 and spent the rest of the day in the city trying desperately to stay awake: by tram to the sea in the suburb of Glenelg; a brief foray into the art gallery and the museum and a wander along the river right behind our hotel. I passed up the once-in-a year opportunity to see inside Government House, the Governor’s residence just down the road from our hotel, because the queue was so long and because an elderly lady in the queue said it was ‘very English’.
In the evening the 12 participants on the tutorial, from all corners of the world, were treated to a welcome dinner at the excellent Sparrow Kitchen and Bar in north Adelaide, with a few well-chosen bottles, including Crawford River Riesling 2006 from Henty in Victoria, one of Jancis’s favourites. A good match with the kingfish and cockles.
Today, Monday, began early, setting the tone for an intensive week of hard labour. Our minibus crawled through Adelaide’s rush hour traffic to the Australian Wine Research Institute (AWRI) for an overview of their work and an introduction to their Advanced Wine Assessment Course.
The Institute is funded by the compulsory levy on growers and winemakers and by the government, which matches the money raised by the levy. There are also contributions from related industries such as coopers and bottle manufacturers.
Their work is impressive in scope and depth and falls under four headings: research (about 70% of what they do), development (new techniques such as non-intrusive tests using NRI spectroscopy), extension (dissemination of research to grape growers and winemakers), and commercial (sale of analytical services). I’ll be spending a day at the AWRI next week so may have more to report later.
There’s talk of ‘management processes’ and ‘modulation of flavour’ and it all sounds a long way from the romantic view of the artisan winemake, but the point is to be able to understand what happens in the vineyards and winery so that you have the choice to exercise more or less control. One recent project was the identification of the compound in Shiraz (rotundone) that gives a spicy flavour, so a producer can fine-tune his or her viticulture and vinification to have more or less of this particular character. I guess it’s something you might work out by trial and error over many years but there are so many variables that it could take decades. It’s not as if the artisan winemaker doesn’t make choices, just that they may not know the consequences of their choices.
The Advanced Wine Assessment Course normally takes four days but we had two hours to go through two flights of wines (as pictured): 10 Shiraz and 10 Riesling. There were repeats in the line up, not to intimidate us, they protested, but to train us to put aside the factors that can influence objective judgement: emotion (what happened on the way to the forum), physiology (especially tiredness, eg jet lag or palate fatigue), preceding wines, environment. I found the third of these the most intrusive, though tiredness also played a part after a jet-lag affected night. It’s all considered good training, particularly for the Australian show judging system, where the emphasis is less on medal stickers on bottles for the benefit of the consumer and more on ‘improving the breed’ for the benefit of producers and the industry as a whole.
Our taste of the training seemed to be designed mainly as a bonding activity for the 12 tutorial participants – encouraging people to speak up and stand up for wines they scored highly (as in any group, some members needed no encouragement to speak up). My own consistency was reasonable but less than I would have liked [ie only 99%? JR] and I found that the preceding wine or wines was the most intrusive factor. For example, I judged a full-flavoured, lime and toast, crisp 2003 Riesling more highly after another similar (but not such good) wine than when I tasted it after a run of four more delicate, floral and citrus styles. Another factor was knowing that there were repeat wines, making it all too tempting to try to identify the repeats to avoid embarrassment later rather than concentrating on each wine, one at a time, and its intrinsic quality.
Suitably armed, and sobered by the demands of judging consistently and objectively, we boarded the bus and headed for the Barossa and the luxurious Louise hotel for a very quick sandwich lunch and our first session in the tutorial: Australia’s regional classics, presented by tutors Michael Hill Smith AM, MW, Andrew Caillard MW and Dr Tony Jordan.
This was pretty similar to the London Landmark tasting I went to in London just over a year ago. The aim was to present a small selection of benchmark wines that demonstrated optimal partnerships of grape variety and region. I’ll be posting my tasting notes when I get back but here’s a list of the wines:
2008 Grosset Wines Polish Hill Riesling, Clare Valley
2002 Pewsey Vale, The Contours Riesling, Eden Valley
1998 Tyrrell’s Wines Vat 1 Semillon, Hunter
2005 Leeuwin Estate Art Series Chardonnay, Margaret River
2006 Petaluma Piccadilly Valley Chardonnay, Adelaide Hills
2006 By Farr Sangreal Pinot Noir, Geelong
2001 Cullen Wines Diana Madeline Cabernet Sauvignon/Merlot, Margaret River
2004 Wynns Coonawarra Estate John Riddoch, Cabernet Sauvignon, Coonawarra
1998 Brokenwood Graveyard Vineyard Shiraz, Hunter
2004 Mt Langi Ghiran Langi Shiraz, Grampians
2006 Henshke Mt Eldestone Shiraz, Eden Valley
2004 Penfolds RWT Shiraz, Barossa Valley
2006 Glaetzer Anaperenna Shiraz/Cabernet Sauvignon, Barossa Valley
2006 De Bortoli Noble One Botrytis Semillon, Riverina
The quality of the range was consistently high though the selection was, inevitably, fairly predictable. But this was setting the scene for the sessions to follow, where we will look at all the major varieties from a wider range of regions and styles.
Aside from the wines and the first stunning view of the sun on the Barossa Ranges (sorry, moving too fast to get a pic), the highlight of my day was free wifi access in my room [a woman after my own heart – JR] in the very beautiful Louise hotel, after the rapacious 55 cents a minute and the tether of an ethernet cable at the Hyatt in Adelaide.
Now a dash to the themed dinner: Australia’s fine wines, including, apparently, a vertical tasting of McWilliams Lovedale Semillon from the Hunter Valley.
Tomorrow: Riesling with Jeffrey Grosset; Shiraz and blends with Stephen Pannell; ‘a historic perspective’ set at Barossa Valley Estates; and, for those with stamina, a tour of the Seppeltsfiled winery.
From JancisRobinson.com ; full blog article here
Article from The Shout: Landmark Australia Tutorial begins
The below article appeared in today’s edition of the industry news website, The Shout, entitled “Landmark Australia Tutorial begins”.
The wine industry has today (June 1) kicked off its biggest ever investment in telling Australia’s fine wine story to an international audience with the inaugural Landmark Australia Tutorial.
Wine Australia is hosting 12 of the world’s most influential wine media and educators in the Barossa Valley for the five-day celebration of the nation’s wine, food, hospitality and tourism before moving on to other regions in South Australia, New South Wales, Victoria, Tasmania and Western Australia.
More than 200 of Australia’s top wines will be presented by the country’s leading winemakers and commentators over the week, which will also include an original series of seminars.
One highly anticipated masterclass will feature sought-after wines including the 1954 Seppelt Great Western Hermitage K72 Shiraz, the first vintage of Penfolds Grange (1955) and an extremely rare 1955 Wynns Coonawarra Estate ‘Michael’ Hermitage.
A Slow Food/Slow Wine evening will also showcase the best of the Barossa’s local produce and the new wave of alternative varietals and sustainably-grown wines.
Wine Australia’s general manager of market development, Paul Henry, said the Landmark Australia Tutorial would create an important forum for people to discover and debate.
“It should serve as a rallying point for informed wine opinion and aspires to be the most influential residential wine course in the world,” Henry said.
“It certainly promises to be the most authoritative and extensive exploration of Australian fine wine yet undertaken.”
Anyone interested can watch the action and respond throughout the week by contributing to Wine Australia’s blog or via Twitter.
From Jamie Goode’s blog: In Adelaide for the Landmark Tutorial
One of the participants of the Landmark Australia Tutorial, Jamie Goode, writes on his blog about exploring Adelaide and offers some good tips on how to beat jet-lag before heading to the Barossa Valley for the start of the tutorial today.

I’m sitting in the lobby of the Grand Hyatt in Adelaide. But I have to be quick - Hyatt hotels seem to run a business model of gouging their guests. Still sore from paying £300 for half-a-dozen calls home from their Santiago outpost last year, I’m slightly resenting the A$15 they charge for just 30 minutes internet access.
I flew into Adelaide at 7 am this morning, and since then I’ve had a quick sleep and explored the city on foot. I’ve been here before, but I’ve only really driven through the centre, so this is the first time I’ve had a good look. It’s quite a compact, easy-going city. I particularly enjoyed wandering around the botanic gardens on this sunny, gently warm late autumn day, in a jet-lagged semi-trance.
I’m here for the Landmark Australia Tutorial, and having seen the full programme for the first time today, I’m very excited by the prospect of being immersed in the world of Australian fine wine for a week.
You can read more about the tutorial at www.landmark-wineaustralia.com - it’s a really interesting project.
From the Dr.Vino blog: The state of Australian wine - and Landmark Australia
This was posted yesterday on the DrVino blog, written by Tyler Colman, one of the participants in the Landmark Tutorials. The blog is posted under the title: The state of Australian wine - and Landmark Australia - there is a considerable debate happening over there too on disclosure / transparency and so on.
Over the past couple of decades, Australian wine has seen two tremendous, parallel booms, one at the low end and one at the high end. But now the industry is now suffering through a bust, particularly acute at the higher end. This epic tale has received attention from other wine journalists recently including Jay Miller’s February article in the Wine Advocate (”Australia: Into the Abyss”), Jancis Robinson in the FT (”How Australia went down under“), and Mike Steinberger in Slate (whose memorable line was “Foster’s may be Australian for beer (mate); it appears that screwed is now Australian for wine.”).
While all three pieces acknowledged that Australian wines have suffered a sharp reversal of fortune over the past year, they varied somewhat in the cause of the collapse. Miller ascribed it to the rise of look-alike wines. Robinson saw they UK supermarket buyers playing the big Australian wine corporations off of one another turning it into a “duel by discount” and that “Australian wine became synonymous with cheap wine.” Steinberger noted some retailers having difficulties selling the expensive shiraz that is all too often high in alcohol, overoaked, from grapes harvested at the extremes of ripeness. He elaborated on the causality: “It is a rendering of shiraz that Robert Parker happens to adore, and the huge scores that his publication, the Wine Advocate, awarded many of the wines made them wildly popular, which encouraged producers to pump out more and more of these purple people-eaters (the ever-decorous Australians refer to them as “leg spreaders”) and retailers and importers to load up on them.”
The case of Australia offers a fascinating example for other countries that seek to enter the global market. If anything the country came to have too little diversity at the top, especially in the American market, and came to be known for the high alcohol, fruit bomb shiraz to the detriment of anything else (a cautionary tale for Argentina and Malbec and New Zealand with Sauvignon Blanc, perhaps). And since most of the fruit bombs deteriorate rather than improve with age, there’s no real claim to making a wine that can mature, generally a benchmark of an outstanding wine.
Do the non-fruit bomb wines age? Does Australia have a middle ground between the choose-your-critter supermarket wine and an emperor-has-no-clothes shiraz?
Yes, and apparently they are keeping them to themselves. Consider the experience of comedian Lewis Black. He recently related to wine writer Robert Simonson: “I actually went to Australia, and, you know what? They’re cheating! When I was in Australia, it was like “You guys are keeping the good stuff!” You try their wines down there and you say, “Really? THAT’S a Shiraz. Screw you! That is not what you’re selling us!” That was an eye-opener.”
If it was the best of times just a few years ago, it is now the worst of times. Through pop culture, we all know that Australians have to deal with such horrors as baby-eating dingos and man-wrestling crocodiles. But Australian winemakers have had to confront the serious calamities of drought and bush fires that have ravaged vineyard areas this year. In this light, Australia, an largely arid land to begin with, is also at the forefront of climate change.
I’m in Australia right now and hope to find some of those wines that aren’t making it to our shores and more about the story of the rise and recent pullback. Late last year, I was selected from 130 applicants to be one of the dozen participants in an educational conference called Landmark Australia, The Tutorial (see Jancis Robinson’s announcement from December and my previous mention). The group of participants is composed of sommeliers and wine writers from ten countries ranging from China to Finland to Germany; half the group is a Master of Wine or a Master Sommelier. The Australian Wine and Brandy Corporation, a government organization, has organized (and paid for) the event. We will spend the next five days in the Barossa Valley tasting through three sessions a day with leading wine makers from throughout Australia including Jeffrey Grosset and Brian Croser among many others. You can see the whole list of seminar leaders here and the complete schedule here as a pdf.
It should be a fun week and I plan to learn a lot. Stay tuned.
From Winebiz: “A bold case for Australian excellence”
A great article this morning on the Winebiz website, posted under the title “A bold case for Australian excellence”.
Today marks the wine industry’s most significant investment to date in telling Australia’s fine wine story to an international audience. Aimed at celebrating Australian excellence not just in wine, but also in terms of food, hospitality and tourism, 12 of the world’s most influential wine media and educators will be hosted by Wine Australia in the Barossa Valley for five days, before travelling further afield on regional tours across South Australia, New South Wales, Victoria, Tasmania and Western Australia.
The inaugural Landmark Australia Tutorial will comprise more than 200 of Australia’s finest wines, presented by the country’s leading winemakers and commentators, and accompanied by an original series of seminars devised uniquely for the event. Anticipated highlights include an ‘Historic’ masterclass featuring sought-after wines such as the 1954 Seppelt Great Western Hermitage K72 Shiraz, the first vintage of Penfolds Grange (1955) and an extremely rare 1955 Wynns Coonawarra Estate ‘Michael’ Hermitage.
A Slow Food/Slow Wine evening also promises to be an inspiring experience, showcasing the best of the Barossa’s local produce partnered with Australia’s new wave of alternative varietals and sustainably-grown wines.
Paul Henry, Wine Australia’s general manager market development, commented: “The intention of the Landmark Australia Tutorial is to create a forum for people to discover and debate the voice of our top Australian wines. It should serve as a rallying point for informed wine opinion, and aspires to be the most influential residential wine course in the world. It certainly promises to be the most authoritative and extensive exploration of Australian fine wine yet undertaken.”
The 248 wines chosen to articulate the Australian fine wine story were nominated in collaboration with the guest tutors for each masterclass, and are intended to capture a sense of Australia’s winemaking history, as well as to give an indication of Australia’s intended future direction in terms of style, varietal expression, technical development and regional signature.
“The world should be much more familiar with the contribution Australia can make as a producer of fine wine, and also as a leading exponent of exceptional cuisine, cutting edge hospitality and inspiring regional tourism,” Henry concluded.
Anyone around the world can watch and respond with their thoughts throughout the week, by contributing to Wine Australia’s blog at www.landmark-wineaustralia.com or via Twitter www.twitter.com/winehero
Australia’s Regional Classics
Michael Hill Smith AM MW was the man in the hot seat (actually a chilly 12 degrees in the Barossa) this afternoon. Charged with introducing everyone to some of Australia’s ‘classic’ regional styles and set the scene for the varietal masterclasses taking place over the next four days, Michael started by telling the group “Australia has wonderful Regional Classics – wines where region and grape combine to produce a style that has uniqueness and international relevance.”
Riesling, Semillon, Chardonnay, Adelaide Hills, Pinot Noir, Cabernet Sauvignon, Shiraz and a ‘sticky’ were all tasted and talked about, the discussion centring around the identifiable characteristics from each of these regional styles.
Australia has many more regional classics, so remember this was just an introduction, and we only let Michael nominate 14 wines! Those who are eager to know what some of the other classis are can look out for Grenache from McLaren Vale wineries as well as Grenache blends such as GSMs. Click here to find out more about Australia’s wine regions, classic styles and enjoy a virtual tasting.
WINES - Australia’s Regional Classics Masterclass
- 2008 Grosset Wines Polish Hill Riesling, Clare Valley
- 2002 Pewsey Vale The Contours Riesling, Eden Valley
- 1998 Tyrrell’s Wines Vat 1 Semillon, Hunter
- 2005 Leeuwin Estate Art Series Chardonnay, Margaret River
- 2006 Petaluma Piccadilly Valley Chardonnay, Adelaide Hills
- 2006 By Farr Sangreal Pinot Noir, Geelong
- 2001 Cullen Wines Diana Madeline Cabernet Sauvignon/Merlot, Margaret River
- 2004 Wynns Coonawarra Estate John Riddoch, Cabernet Sauvignon
- 1998 Brokenwood Graveyard Vineyard Shiraz, Hunter
- 2004 Mt Langi Ghiran Langi Shiraz, Grampians
- 2006 Henshcke Mt Eldestone Shiraz, Eden Valley
- 2004 Penfolds RWT Shiraz, Barossa Valley
- 2006 Glaetzer Anaperenna Shiraz/Cabernet Sauvignon, Barossa Valley
- 2006 De Bortoli Noble One Botrytis Semillon, Riverina
Quote of the day: “The thing about Australian Riesling is that tenacity and belief in our style will ultimately overcome fashion. Riesling will have its day!” - Michael Hill Smith

Advanced Wine Assessment
Today was the first official day of the Landmark Australia Tutorial. A chance for the 12 participants to warm-up and set their bearings for a fairly intensive four days ahead. I met everyone at the Hyatt at 8:00am and ushered them onto our bus to head towards the Australian Wine Research Institute (AWRI) for a discussion on the subjective nature of wine assessment, followed by a tasting that challenged their ability to consistently assign the same relative scores to a set of wines.
The tasting was set out in two brackets of 10 wines, Riesling then Shiraz, with repeat wines. The participants were asked to give each wine a score out of 20. (It’s suprising how much the wine you taste before can influence your assessment of the following wine, hence the point of the tasting.) The wines were then revealed and we discovered that wine 1 was the same as wine 3 and 8 in the Riesling bracket…but were everyones scores for these three wines the same? Andrew Caillard MW did us proud, consistently giving each wine the same mark out of 20!
The tasting was a glimpse into what the AWRI run for the Australian industry on a regular basis, so our winemakers can hone their skills and become wine show judges, both in Australia and overseas. We’ve worked with the AWRI over the last year to take the course of shore; Dublin in January and then a second course is due to take place in London on 29 June this year. (email uk@wineaustralia.com to find out more)
Interestingly over the 12 years that the AWRI has been running the Advanced Wine Assessment Course, the top show judges consistently score their wines within +/- 0.5 of each other when using the 20 point system.

A Warm Welcome…
Posted by Ben in Participants on June 1st, 2009
Last night we welcomed the 12 Landmark Australia Tutorial participants, inviting them to a casual dinner at Sparrow in North Adelaide. Some of the 12 participants only arrived Sunday morning, but we provided business class airfares for everyone to make sure they were able to jump off the plane feeling great.
Dinner included a selection of tapas and cured meat followed by a main course of Fussili with cottecino, for me, alongside a glass of 2005 Corrina’s Olivers Taranga Vineyards Shiraz/Cabernet from McLaren Vale. The other end of the table seemed to be enjoying bowls of Kingfish, cockles and fennel with either the 2008 Innocent Bystander Pinot Gris or the 2006 Crawford River Riesling.

It was early to bed, but in my jet-lagged state I slept only fitfully. This morning began with a session at the Australian Wine Research Institute where we were treated to a taste of one of their Advanced Wine Assessment Courses. These normally last four days, and judges’ scores are collected in and analysed. We had just a couple of hours, so did a mini-AWAC, involving two flights of ten wines each: the first all Riesling, the second all Shiraz. Interestingly, several of the wines were replicated in each flight (that is, we were given the same wine more than once), as part of the assessment process.
We finished late morning, and headed off to the Barossa, where, after a light lunch, we began session 1 of the Tutorial. Led by Michael Hill Smith, Andrew Caillard and Tony Jordan, it was a look at Australia’s ‘regional classics’. The tasting component consisted of some very smart wines, but even better is yet to come. With dinner - which I have a feeling will be very special - we’ll be looking at ‘Australia’s Fine Wine’.

